Tips and techniques
When choosing or creating an IBM image, certain criteria should be considered. The following guidance will help achieve the effect and impression we’re looking for.
- Perspective
- Composition
- Aspect ratio
- Lighting
- Depth-of-field
- Effects and filters
- Clichés, metaphors & see-say
Perspective
As IBMers, we are objective observers of the working world. This translates into the perspectives we commonly use in photography. There are two primary viewpoints, each deliberately designed to present the world “as-is” and at its beautiful best.
Eye level
We are a forward-facing organization. We treat our clients and ourselves as equals. Imagine IBM or an IBMer is the camera, this is how we view the world around us; authentically, eye-to-eye, fairly, naturally, truthfully. We take a step back, capture context, observe the environment, and present a bigger picture.
![view down conveyor belt with food inspectors view down conveyor belt with food inspectors](/static/4bc6617b302f37e41bd9f8a15ee682b6/2e753/eye-level-1.jpg)
![person crossing rainy city street person crossing rainy city street](/static/5f8be349551e3c0ace2951225fd925a6/2e753/eye-level-2.jpg)
Aerial
Used less often, another angle we take is to offer things from a different perspective. Equally as objective, an aerial view allows us to “elevate” our observations. This communicates a certain “eye” on consequences and impact at scale.
![top down view of equipment top down view of equipment](/static/f386e5805650e23baad75679267cd6df/2e753/aerial-1.jpg)
![aerial view of people on beach aerial view of people on beach](/static/ea726a4fb8bdd5f59df9c17a761493b6/2e753/aerial-2.jpg)
![avoid unusual perspectives avoid unusual perspectives](/static/f2c383ae9a01ec92257c7550eeb5f6c3/69549/aerial-dont-1.jpg)
Avoid forced perspectives that attempt to add interest to uninteresting subjects.
![keep perspectives eye level or overhead keep perspectives eye level or overhead](/static/0d748a6769150e03669b7c779b662b43/47520/aerial-dont-2.jpg)
Avoid perspectives that are neither overhead or at natural eye-level.
Composition
Image composition is the intentional arrangement of individual subjects within a scene to form the final image. There are two key aspects to composition that you should consider for every image.
Framing
The 2x Grid can be a useful guide when thinking about composing imagery and positioning subjects. Images should leverage divisions of two. Either horizontal or vertical, these divisions create zones for subjects, allowing for carefully considered compositions that feel kinetic, like moments in time.
![vertical framing composition vertical framing composition](/static/14e175cbf14c62320f6d989f0727e06d/2e753/framing-1.jpg)
Vertical
![horizontal framing composition horizontal framing composition](/static/170c1ef42e196ab182ddc40e994cc109/2e753/framing-2.jpg)
Horizontal
Focal points
Use the 2x Grid to establish clear focal points. It may seem prescriptive, but when seen together this approach acts as connective tissue between IBM images. The same approach is used to create delightful film experiences.
![focal points with a the 2x Grid first example focal points with a the 2x Grid first example](/static/e1442811846b2cb8904a67f7c3ced329/2e753/focal-1.jpg)
![focal points with a the 2x Grid second example focal points with a the 2x Grid second example](/static/d00c5f26480388b36c1935683294034c/2e753/focal-2.jpg)
![fill focal point center fill focal point center](/static/02721ddde14a3e96bbcbf831fa661942/47520/focal-dont-1.jpg)
Avoid having no center of interest and drawing attention to an empty center
![choose one focal point and align to grid choose one focal point and align to grid](/static/029fce4945c8eade5c7efed775c81d84/47520/focal-dont-2.jpg)
Avoid conflicting focal points and no clear alignments to a grid
Aspect ratio
When cropping images, use a common 16:9, 4:3, 3:2, 2:1 or 1:1 aspect ratio unless otherwise specified for a particular format. These common aspect ratios work well with our 2x Grid foundation. They help create a visual rhythm within everything created using IBM Design Language—from UI components to signage, event spaces and beyond.
![aspect ratios example aspect ratios example](/static/af4a106ea7e4bd1b36a61090a8aecd10/3cbba/aspect-ratios.png)
Lighting
Whenever possible, use natural light or techniques that simulate natural light. IBM imagery is allergic to artificiality. The sincere portrayal of subject is paramount. We cannot manufacture a better reality than reality itself.
![man putting bicycle up aerial view man putting bicycle up aerial view](/static/286913d7bfd5436c409e5c9fe91438dd/2e753/light-1.jpg)
![avoid glowing photos avoid glowing photos](/static/8a5ed63e5fef6cd664f81879fa1c9dad/47520/light-dont-1.jpg)
Avoid overly warm, glowing, or “golden hour” photographs
![avoid color washes avoid color washes](/static/45d99ff14fe65c4ae61614bb9e252510/47520/light-dont-2.jpg)
Avoid color washes and grading
Depth-of-field
Everything should be in sharp focus. This crisp approach reinforces a deep interest in everything, and an emphasis on context and detail. Everything is presented evenly.
![woman working in a wood shop woman working in a wood shop](/static/d193cfc2e66f8e1bda46800dbd1c2be5/2e753/depth-1.jpg)
![depth dont example depth dont example](/static/26e00782440adf5f687ea246ebcee9ac/47520/depth-dont-1.jpg)
Avoid images with soft focus
![depth dont example depth dont example](/static/eb98476ac781dc2f4ed2735417ced495/47520/depth-dont-2.jpg)
Avoid images that fall off focus too quickly
Effects and filters
Avoid anything artificial. We’re a fact-based company. We communicate with clarity, and our photography should communicate this too. We avoid hyperbole and jargon. Our imagery should avoid spin and overstyling as well.
![effects dont example effects dont example](/static/2545d2d62775fdbe5744de4a6a6fbf4c/47520/effects-dont-1.jpg)
Avoid images with added glare or elements that have been clearly added via photoshop
![effects dont example effects dont example](/static/4d471950f3f77f1a7593db4790100e95/47520/effects-dont-2.jpg)
Avoid images that have color or image overlays
Clichés, metaphors & see-say
When it comes to photography, people respond to what they don’t see as much as what they do see. Too often, imagery is used to double-down on what is already understood versus adding depth and dimension. We should use imagery purposefully, to expand ideas and elicit emotion.
We are a fact-based, insightful, opinionated organization. Therefore, we try to avoid abstraction in favor of palatability and tangibility. If an image looks like it could have been created by any other organization, it’s probably lacking a distinct point-of-view (style or subject) or purposeful use that is uniquely IBM.
![cliche dont example cliche dont example](/static/4cce69e04955f0ef94b2b4c5dea76c37/47520/cliche-dont-1.jpg)
Avoid cliché images that attempt to loosely represent a concept while not portraying the real world at work
![cliche dont example cliche dont example](/static/65506476d484adc6dff936036b1d2694/47520/cliche-dont-2.jpg)
Avoid images that are both unrealistic and common